판소리 관련 콘텐츠 편집하기 (부분)

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The traditional Korean art of pansori has been reinterpreted across generations through film, drama, and stage performance. Its combination of narrative, rhythm, and expressive movement—where a single singer leads a long story accompanied by a drum—continues to inspire modern audiences with emotional depth.

The most iconic example is Im Kwon-taek’s film <i>Seopyeonje</i> (1993). Taking its title from the “western style” of pansori from the Jeolla-do region, the film portrays a family’s tragic devotion to the art of sound. Celebrated for both artistic merit and popular acclaim, it reintroduced pansori as a powerful symbol of Korean cultural identity.

Im Kwon-taek’s <i>Beyond the Years</i> (2006) continues the story of <i>Seopyeonje</i>, following the pansori singers Dong-ho and Song-hwa as they reunite years later. Centered on the “millennial lineage of sound,” the film lyrically explores the spiritual continuity and solitude of artistic life. 

<i>Chunhyang</i> (2000) adapts the classic pansori tale <i>Song of Chunhyang</i> (Chunhyangga) into a cinematic form, harmonizing traditional performance with modern visual aesthetics. Through its fusion of music and image, the film brought global attention to the narrative beauty of pansori.

A milestone in contemporary performance is Lee Ja-ram’s creative pansori <i>Song of Sichuan</i> (Sacheonga), adapted from Bertolt Brecht’s play <i>The Good Person of Sichuan</i>. By blending Korean vocal storytelling with Western theatrical expression, the work expands the artistic boundaries of pansori.

More recently, the TV drama <i>Jeongnyeon: The Star Is Born</i> (2024), based on a popular webtoon, revisited the world of pansori and traditional women’s opera. The series renewed public interest in this once-forgotten performing tradition and its pioneering female artists.